![]() Bad solution because now the new script which is rehosted is considered as a new script. ![]() Different servers, use different languages and if your script depends on some string found in the game, one solution (bad solution) to port that script into the other server, could be to clone and rehost the script. Having a translation-ready script also helps with another thing, script maintainability in the long run. A script which is less prone to bugs and fairly more ready to be expanded.īy having created a universal script, you will automatically minimize possible issues of players running your script and the script non-working just because you worked the script on an archer world and the world the player is running the script is non-archer world or vice-versa. If you write your script to be universal and translation-ready you will already have created a script with strong foundations. Not world-specific, not unit-based specific (for example a script that only works on archer worlds but does not work on non-archer worlds). When working on a new script, try to make that script as universal as possible. is that worth it? Do we need a script to bring us to HQ and then another script to bring us to the Barracks? If instead, you are trying to "automate" 2 clicks. is this script worth it?ĭigitalization of a process (a.k.a script) is valid when you want to "automate" some complex/hard/repetitive task (for example sending resources from village to village, filling unit fields on rally point, etc). If it gains very little, like for example a script that redirects the player to HQ no matter where you are. Whenever you start working on a script think about what the player will gain from this script. So consider these suggestions as an open and fair discussion between developers, on how to improve scripts, instead of hard rules on how to write scripts. I will try to make my case to support those suggestions on each specific point as better as I can but you are not forced nor will you be denied script approval (if your script deserves to be approved) if it does not fit any of the suggestions below. You are not enforced to follow the suggestions mentioned below. So I will start by linking the official script rules and approval procedure:Įvery rule that is mentioned on the link above needs to be followed.Īll that comes below are only recommendationsbased on personal experience as a scripts author, they do not represent Tribal Wars official policy regarding scripts and scripting. Use the colour tool in the forums to find the colour you want.In this article, I will share my own experience writing and maintaining Tribal Wars scripts. Var color= - This is the colours of the villages on the map, I set mine Defensive = Blue, Offensive = Green. Var player="gman1994" to var player="Your Username" They are not really scripts but rather links, they take you to the Market/RallyPoint/etc page, the neat thing of these links though are that they stay on the same village, to do this the link is something like this: void 0 ![]() The first Line are the links you automatically are given, they just redirect you to the Specific Building in the village you are overviewing. NOTE: The Quick Bar is only active if you have premium. NOTE: Premium is necessity for most of these scripts, so I'm going to guide people who have premium how to do it.Ī TW Script is Javascript, Javascript is a coding language used to manipulate webpages, it is mainly used inside Webpage code, but it can be used in the URL bar to manipulate the page, using a Javascript in the URL bar can make a change to the look/purpose of a webpage, but the change is not permanent and it is for the user only.Īlso reffered to as QB, the Quick Bar is like your favourites folder, it has a address saved to it and has a name of the Address, The Quick Bar is mainly used to insert scripts so that when you click, the script initiates and runs, but some like myself use it for storing the address of web pages. Here's a few I use that I'm going to share, and I will help anyone that needs help with scripts. They can do the smallest of things, like insert troops into the rally point to large scale things such as recruiting troops.
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![]() Once the download completes, the installation will start and you'll get a notification after the installation is finished. Smarty Ants PreK - 1st Grade will be downloaded onto your device, displaying a progress. ![]() A pop-up window with the permissions required by Smarty Ants PreK - 1st Grade will be shown.Tap on the Install button located below the search bar and to the right of the app icon. Once the Smarty Ants PreK - 1st Grade is shown in the Google Play listing of your Android device, you can start its download and installation.Click on the Continue To App button on our website.How to install Smarty Ants PreK - 1st Grade on your Android device: Your antivirus may detect the Smarty Ants PreK - 1st Grade as malware as malware if the download link to 1 is broken. We have already checked if the download link is safe, however for your own protection we recommend that you scan the downloaded app with your antivirus. The app is listed on our website since and was downloaded 8 times. To install Smarty Ants PreK - 1st Grade on your Android device, just click the green Continue To App button above to start the installation process. The latest version released by its developer is 1.6.6. The company that develops Smarty Ants PreK - 1st Grade is Achieve3000 Inc. Smarty Ants PreK - 1st Grade is a free app for Android published in the Kids list of apps, part of Games & Entertainment. Smarty Ants Reading World PreK - 1st Grade Mobile gives you access to Smarty Ants Reading World grades PreK through First on your Android device. Learning progress is saved on the cloud, allowing users to access their account from multiple devices.Real-time progress reported to the Teacher's Dashboard.With thousands of rewards to unlock, dozens of mini-games to try, challenges tailored to player's behavior, and a unique, customizable avatar for every child, it’s easy to keep students motivated!.Students build 67 phonics-based stories, increasing in complexity as their skills indicate readiness for greater challenges.Students choose how to learn each skill, whether it’s a snowboarding or race car activity.Adaptive online learning environment that delivers of instruction tailored to the student’s individual needs.Smarty Ants is an effective, research-driven solution that differentiates instruction in foundational reading skills and accelerates student achievement all in an engaging, interactive, online learning environment. Access lessons without an Internet connection automatically syncs when Android tablet is online With Smarty Ants, you can ensure every student in grades PreK-2 is on track for success from day one.Login using the same username and password you use in your browser.Access the complete Smarty Ants student program from your Android tablet.Free for all Smarty Ants customers with an active account.Accelerate students toward mastery of foundational reading skills with Smarty Ants®.ĭesigned for all students in grades PreK-1, Smarty Ants® is an effective, research-driven solution that differentiates instruction and accelerates students on the path to foundational literacy – all in an engaging, interactive, learning environment. If a player collects all the penalty cards and Q of spades you score 0 points, and opponents score 26 points instead. Each hearts card gives 1 point, and the Queen of Spades is 13 points. The Hearts cards and Queen of spades are the penalty cards. The game goal is to collect the least penalty cards as possible or to collect them all. Dealing starts in clockwise order, with every player receiving 13 cards and asked to pass and receive 3 cards from another player in the beginning. Whoever plays the highest card, wins the trick, and has to initiate the next one. Players are obliged to follow the suit and if they cannot they can continue with any other card. Whoever holds the 2 of Clubs card starts the game. The suit rank goes as follows: from Ace (A) being the highest to 2 being the lowest. The Hearts game is played with a standard French deck of 52 cards. Improve your skills as a free Hearts player offline! Prepare yourself to beat any competition when the time to jump on multiplayer Hearts online comes! Until then, spend as much time as necessary in our offline Hearts card game! The hearts card game is perfect when you might find yourself without access to the internet. 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This XOP provides the SndLoadWave, SndSaveAIFF, SndSaveWAV operations and LoadWAVfile and SaveWAVfile operations. If you uninstall QuickTime, you can load simple. Loading and saving sound files using the SndLoadSaveWave XOP that ships with Igor Pro 6 requires QuickTime on Windows. ![]() SavePICT without the /T flag does not require QuickTime.
![]() The lift coefficient decreases with decreasing thickness ratio, while the drag coefficient increases. The lift and post-stall drag coefficients decrease with decreasing aspect ratio. The pitching moment is unstable beyond stall. The maximum drag coefficient is found to occur at an angle of attack of 90/sup 0/. ![]() Both initial and secondary stall are presented. Results of force and pitching moment measurements, over the angle of attack range, for all combinations of Reynolds numbers, thickness and aspect ratios, and the effects of boundary layer tripping, have been presented. The aspect ratios were 6, 9, 12 and infinity. The thickness ratios studied were 0.18, 0.15, 0.12 and 0.09. Tests were conducted at Reynolds number ranging from one-quarter million to one million. This report documents results of the wind tunnel investigation of constant chord blades more » having four aspect ratios, with NACA 44XX series airfoil sections, at angles of attack ranging from -10 to 110/sup 0/. The purpose of this wind tunnel study is to characterize the performance characteristics of a blade in stall as a function of its aspect ratio, airfoil thickness and Reynolds number. Peak power predictions upon which wind turbine components are sized depend on a good understanding of a blade's post stall characteristics. Unlike aircraft, a wind turbine's angle of attack range extends deep into stall where the three dimensional performance characteristics of airfoils are not generally known. Wind turbine blades operate over a wide angle of attack range. The combination of the two-equation transition model coupled with the Spalart–Allmaras (SA) RANS turbulence model is a good method for performance prediction of modern wind-turbine airfoils using CFD. However, a limitation of this model is observed at very high Reynolds numbers of around 12–15 million where the predictions are very sensitive to the inflow turbulent intensity. As a result, the two-equation model predictions are more comparable to the predictions from eN transition model. The two-equation transition model predicts the aerodynamic coefficients for airfoils of various thickness at higher Reynolds numbers up to 15 million more accurately compared to the one-equation model. However, at higher Reynolds numbers, the one-equation model fails to predict the natural transition behavior due to early transition onset. The two models exhibit similar behavior at Reynolds numbers around 3 million. Both transition models predict a larger L/D compared to fully turbulent results at all Reynolds numbers. We compare the predictions of the two transition models with available experimental and CFD data in the literature in the Reynolds number range of 3–15 million including the AVATAR project measurements of the DU00-W-212 airfoil. We present the performance of two existing local correlation-based transition models – one-equation model (γ− SA) and two-equation model (γ-Reθt‾- SA) coupled with the Spalart–Allmaras (SA) RANS turbulence model – for offshore wind-turbine airfoils operating at a high Reynolds number. more » The prediction of the drag bucket and the glide ratio is greatly affected by the choice of the transition model in RANS CFD of airfoils. While the lack of prediction of lift stall through Reynolds-averaged Navier–Stokes (RANS) computational fluid dynamics (CFD) is well known, airfoil design using CFD requires the accurate prediction of the glide ratio (L/D) in the linear portion of the lift polar. Turbulence transition in the airfoil boundary layer is known to play an important role in the aerodynamics of these airfoils near the design operating point. The airfoils of current large offshore wind turbines operate with chord-based Reynolds numbers in the range of 3–15 million. Modern wind-turbine airfoil design requires robust performance predictions for varying thicknesses, shapes, and appropriate Reynolds numbers. Initially, Paint.NET was released under a modified version of the MIT License, with the exclusion of the installer, text, and graphics. As of May 2006 the program had been downloaded at least 2 million times, at a rate of about 180,000 per month. ![]() The Paint.NET project continued over the summer and into the autumn 2004 semester for both the version 1.1 and 2.0 releases.ĭevelopment continues with one programmer who worked on previous versions of Paint.NET while he was a student at WSU. In contrast, version 3.35 has approximately 162,000 lines of code. Version 1.0 consisted of 36,000 lines of code and was written in fifteen weeks. Paint.NET originated as a computer science senior design project during spring 2004 at Washington State University. Paint.NET was originally created by Rick Brewster as a Washington State University student project, and has evolved from a simple replacement for the Microsoft Paint program into a program for editing mainly graphics, with support for plugins. ![]() Paint.NET (sometimes stylized as ) is a freeware general-purpose raster graphics editor program for Microsoft Windows, developed with the. English, Chinese (Simplified), Chinese (Traditional), Czech, Danish, Dutch, Finnish, French, German, Hindi, Hungarian, Italian, Japanese, Korean, Lithuanian, Norwegian, Persian, Polish, Portuguese (Brazil), Portuguese (Portugal), Russian, Spanish, Turkish, Ukrainian, Catalan, Corsican, Thai Kevin Costner plays the ship's captain, a young Keifer Sutherland plays radio operator "Static" (whose real name is Arnold, a reference to Spielberg's father) and Casey Siemaszko (of Stand By Me and NYPD Blue) plays the pivotal role of Jonathan. First, it features a few soon-to-be major stars. "The Mission" is notable for several reasons. At the last possible second, something miraculous occurs that saves Jonathan's life. With the landing gear refusing to come down and the plane rapidly running out of fuel, the pilot knows he's going to have to to bring the plane down as soon as possible on its belly but in the process Jonathan will be crushed. Based on a short story by Spielberg called "Round Trip," this hour long episode (the only one of the first season) written by Color Purple screenwriter Menno Meyjes, involves a WWII bomber flight crew who encounter a major problem when one of their gunners (a cartoonist named Jonathan whom they consider their "lucky charm") gets trapped in the plastic turret on the underside of the plane. "THE MISSION" (broadcast 10/3/85): The second and final episode Spielberg directed for Amazing Stories is not only better than "Ghost Train" it's actually better than a few of his feature films. ![]() The very least that can be said about "Ghost Train" is that it is far superior to the segment Spielberg produced for the Twilight Zone movie. The episode was shot with Spielberg's typical warmth and gloss ( E.T.'s Allen Daviau served as cinematographer) and John Williams provides a whimsical score but wisely chooses to leave the show's signature set piece, the exciting finale where the train bears down on the house, unscored. Consequently, the relationship between the old man and the boy is the real heart of the story. ![]() The characters of the mother and father, unfortunately, aren't nearly as strong or interesting. In the episode's spectacular climax the Highball Express number 407 crashes right through the family's living room and takes Old Pa away to his final destination.īlossom's gentle, sensetive performance as the grandfather is both sweet and touching (particularly when he recalls the day of the accident with great emotion) and Lukas Haas, fresh off his starring role opposite Harrison Ford in Witness, plays the loving, imaginative grandson. The problem is that the house in which they live is built right over where the old tracks used to be. Now living with his grown son, his daughter-in-law and his grandson (Lukas Haas), all of whom affectionately call him "Old Pa," Daniel awaits the night that the train will return to finish what it had left undone 75 years earlier. Spielberg channeled that memory into this story about an old man named Daniel Globe (Robert Blossom of Spielberg's Close Encounters and the upcoming Always) who as a child innocently caused a terrible train wreck that took the lives of everyone on board. "GHOST TRAIN" (broadcast 9/29/85): While living in a house in New Jersey a young Steven Spielberg would lie in his bed at night and hear train whistles blowing in the distance. My reason, however, for including Amazing Stories as part of "31 Days of Spielberg," is that two episodes (the debut "Ghost Train" and the hour-long "The Mission") were directed by Spielberg himself and therefore are worth a quick look. To this day I can hum the John Williams-composed main theme (while seeing the computer-generated opening credits sequence in my head) and like to revisit several of my favorite episodes ("The Main Attraction," "Mummy Daddy," "The Sitter", "Dorothy and Ben" and the Brad Bird-directed cartoon "Family Dog") which I still think hold up rather well tweny years later. This was particularly distressing to me as I loved the show when I was a kid. Although the show was nominated for 12 Emmys Awards (resulting in 5 wins) it was unfortunately not a hit and NBC chose not to renew it after the contractual two seasons were up. He produced a Twilight Zone-like anthology series called Amazing Stories (inspired by a popular science fiction magazine Spielberg loved as a kid). In 1985 Spielberg returned to the medium that had halped launch his career: television. Spielberg's latest venture would fit into that category quite nicely. ![]() Furthermore, as with Alfred Hitchcock and Walt Disney before him, "Spielberg" had come to represent a certain kind of product: namely, slickly produced, predominately family-friendly fanatasy entertainment. Many of the films directed and/or produced by him were among the highest-grossing of all time and his own production company Amblin-named after his amatuer short film-allowed him to develop projects not only for himself to direct but for other filmmakers. By the mid-1980's Steven Spielberg had become more than just another director. These principles are the foundation of web accessibility and a helpful way to group and understand the guidelines and success criteria required to make content accessible. WCAG ] is structured around four main principles: Perceivable, Operable, Understandable, and Robust. Accessibility principles and fixed layout This document will outline considerations specific to accessibility for fixed layout in reading systems, and methods reading systems can apply to make content more accessible. Reading systems also play a role in presenting accessible content. We encourage EPUB creators to explore the full range of options for accessibility that digital publications present, even when creating fixed layout publications. We want to recognize these challenges for EPUB creators, and in this document will outline some recommendations for producing more accessible fixed layout content. EPUB creators concerned about this may choose not to use fixed layout. ![]() dyslexia) are still almost impossible to accommodate in fixed layout content. In particular, the needs of people with low vision or learning disabilities that rely on the transformation of text (i.e. In this document, we will align recommendations with WCAG 2 level AA where possible, but will exclude success criteria that do not apply to fixed layout content. The requirements laid out in EPUB Accessibility 1.1 ] recommend WCAG 2 level AA ], but for some use cases in fixed layout, that might not be possible without changes to the content. The limits of fixed layout accessibilityįixed layout publications present some unique challenges for accessibility. In addition to the recommendations in this document, the Publishing Maintenance Working Group's Fixed Layout Accessibility Task Force is producing an accompanying techniques document to cover the technical side of FXL accessibility. All recommendations made in EPUB Accessibility 1.1 ], EPUB 3.3 ], and EPUB Reading Systems 3.3 ] are applied and extended here. ![]() This document is a companion to EPUB Accessibility 1.1 ], specifically for fixed layout publications. ![]() This note serves to help EPUB creators, publishers, and reading systems address some of the common accessibility issues found in fixed layout content including navigation, reading order, and text alternatives. ![]() However, these publications are often partially or completely inaccessible to people with print disabilities. complex diagrams) or it's artistic purpose (i.e. The main motivation behind creating fixed layout publications is the need to preserve the print layout of the book, either because of it's importance to the text (i.e. These publications span a number of genres and types, from comic books, cook books, children's books, and more.Īn accessible fixed layout EPUB file is one that meets the accessibility requirements of the Web Content Accessibility Guidelines 2 level AA ] and EPUB Accessibility 1.1 ], including color contrast, reading order, font layout, structural navigation, metadata, and text alternatives. Introduction OverviewĮPUB fixed layout (FXL) publications, or publications where the print layout is preserved in the digital edition, have been around since before EPUB 3.0.1. This document, EPUB Fixed Layout Accessibility, outlines the goals for EPUB accessible fixed layout ebooks while acknowledging the challenges unique to the FXL format. ![]() Users can write their own plug-in and interact with DaVinci Resolve’s JavaScript APIs.
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